National Poetry Month: another PAD completed

Tags

PAD, poetry

2021 is my 10th completion of Robert Lee Brewer’s Poem A Day (PAD) challenge. That’s 300 poems written. I also do most of Robert’s weekly prompts, most of his November PADs, and I write poems on my own, occasionally. A conservative estimate is maybe 80 poems a year (30+30+20) over ten years or 800 poems.

800 poems in a life is a lot of poems. 800 in a decade may seem excessive. Really though, it’s hardly enough. I do not call myself a poet. I write poetry to learn about writing, about poetry but also prose. To me, poetry is focused wording, focused imagery, condensed lyricism. I consider myself a prose writer, and I want to have lyrical elements in my stories, I want strong imagery, I want to tell stories without telling them, all things poetry does.

Usually I am happy with something like a dozen of my 30 poems during these events. This month I was happy with two. Here is one of them.

All Our Futures

It’s not so much he only cared for himself
          some of the greatest leaders, inventors, and innovators were narcissists
it’s not so much his morality was lacking
          even the holiest can have their bad days
it’s not so much he stole all their money
          they would have just wasted it anyway
it’s not so much he lied through his teeth
          who hasn’t told a fib now and then?
it’s not so bad he cheats at golf
          really, who hasn’t kicked his own ball back in the fairway?
what’s so bad is he stole so many minds
          when truth is denied, the future is lost

The prompt for the day was Villain. It employs the rhetorical device called Anaphora which is the repetition of words at the begging of each phrase or sentence. Anaphora emphasizes each phrase and adds effective rhythm. The poem is a commentary on the present day political divide. Of course it’s aimed at #45, but he is such an easy target. Most of the literary world is against him, most who read widely are against him, so of course people liked this poem. I am not happy with the last line as it’s a retelling of the 4th line. But even if I change it, this is still a rather trite poem. I feel no inclination to expand or polish it. It was fun to write, but it will likely die in my cloud.

Most of my poems this month were rather prosaic. I’ve been reading Billy Collins’ poetry and he has a rather conversational narrative style. If you’ve never read him, please do so. He’s inspired my month of bad poems. I am afraid I fail at emulating his style.

I don’t yet know if I am happy with the following poem, but I had fun writing it. I won’t know if I’m happy with most of my poems until I put them to bed and wake them up some months later. Maybe in late summer I’ll discover a line or phrase, maybe a whole stanza, maybe a whole poem or even a series of poems that demand further work. But that time is not yet here. So just read it and feel my brain churn as I wrote this mess. It is an untitled Ekphrastic poem

There is a woman in it
that much I am sure of
the rest of it is, well
a mess is the easy euphemism.

She might be holding a vase
A rat gaping at cherries — or is that a fish?
Or an English hedgehog —  
and leaping from the white glass.

Only the woman and the vase,
the hedgehog, a rose, something
that looks like an otter’s head
and cherries are white, all else is blue

With bits of green, yellow,
and blobs of red. The tall stalagmite —
or maybe it’s a cactus or a stalk —
has two giant strawberries

Not dangling like normal strawberries
but embedded like stained glass
you can’t even see through, any of it
all of it, abstract and senseless.

That otter sniffing the rose
which is held by the red stumpy
watermelon man with no rind
and drips down on two men

Yellow, watching a backwards elephant
sneeze laundry and kites, and a green
elephant at the bottom sniffing Australia
which is also green so you know it has to be not real, But it’s the giant cargo ship
thrusting out of a map Puget Sound
like an alien from a belly that the girls attention.
You know it has to mean something.

The painting I wrote to is by Chelle Stein and can be found at her blog,

There is one poem I am quite pleased with. I am so happy with it, I already submitted it to the 2021 Canada Writes Poetry Contest. When I don’t win that, I will submit it somewhere for publication. Rattle Maybe. I did not post any of it at the PAD site, and I am not posting any of it here. It needs to remain unpublished. It is my practice to not publish my good poems online. It’s immediate disqualification for most literary considerations. Sorry.

I wrote this fantabulous poem to the prompt Waiting. It was April 17th so about ten days after the completion of The Masters golf tournament. I immediately pictured the pro golfers standing on Augusta’s 12th tee looking up at the tree tops and waiting for the wind to let up long enough to put their ball on the green instead of into Ray’s Creek. Oh the drama! The night before I had watched PBS’s Poetry In America episode on Elizabeth Bishop’s poem One Art. I fell in love with this poem, and I had the Villanelle form firmly implanted in my head. I wrote a first stanza, said “Dang, this is strong,” and I quickly opened Rhyme Zone. It then sucked five days out of my life, I quickly sought and found some feedback from the Seaside Scribes writing group I belong to, and I zipped it up tight and sent it off. I think it is a solid poem, a real solid poem, but it’s about golf and it’s about the esoteric struggles a golfer faces on the course with his friends in the wind. A golfer will love it. A poetry judge may just say, “Huh?”

I did not so much have fun this month as push through with my head down. I wrote a poem or two every day, I posted most, and I filled 37 pages of my current poetry journal. As I work away at my novel, I feel myself trying to write richer prose, so in that regard it’s a success.

The Writing Walls are Crumbling.

Tags

Biden, bipartisan, debate, discussion, left wing, moving forward, right wing, Trump, walls

I have had a very hard time blogging over the past four years. It wasn’t just Donny and his insane cabal but his many followers. I have unfriended many people during this reign, and I have blocked many of them. And I did try to listen. I tried to understand the divide, not just in America but in Canada and around the world . I have teased and ridiculed not only Donny but these followers. I knew converting the mindless was not possible, but they were never my target. I targeted the middle-of-the road centrists, the non-partisan voters who see truth above party politics. Unfortunately, these people tend to be more laissez-faire and vote less than the indoctrinated [on both sides]. Biden winning the vote feels like a victory but a tainted one. We are not in a good place.

Now that we have a change on the horizon, can I dump the farcical memes and get back to arguing with logic? I hope I can. I hope we all can. I would much rather see far-righters and far-lefties write out what they believe and openly discuss their arguments. I would hope we can all sit down quietly, read others’ stances on issues, and work to some consensus. It is this back and forth playing with ideas that moves us forward. It is how I move my writings forward. I don’t write knock-out stories in one go. It takes many tries of pushing that theme or pushing this character or pushing that conflict. All of my best writing has come from pushing into areas I never ended up in. The same is true, I believe, for moving forward in social and political discourse. Life is story, and those of us who write a lot of story can attest that what we think is best almost always is not.

I could not write much about life these past four years because so many have adopted views of life I do not agree with. And no, it is not just the righties. I am anti-government. When governments in my Canada want to implement new programs, I cringe, because I know my government’s debts will rise with no compensating benefit. Too many pay no service at all to our enormous debts.

What do I want to Write About?

The list is long, and I don’t claim to be qualified to write about much of it. But the following is a quick list.

• Socialism
  • what is it?
  • where should social policies fit in a capitalistic society?
  • what do Liberals really want?
  • what are Conservatives afraid of?
• Competition
  • I am for competition, when it makes sense
  • when does competition not make sense?
  • how do we manage non-competitive units so everyone is happy?
• Executive Accountability
  • this is currently a critical problem in not only America but in Canada and around the world
• Taxation
  • does the low-taxation-of-billionaires model make sense?
  • what is the logical management perspective on achieving good government?
  • of course, taxation of expatriates and management of tax fraud.
• Reading and Writing
  • I work at my writing every day. I have many ideas on making writing more interesting and relevant
  • reading is a forgotten skill. We have millions of experts who do not read anything more than Facebook posts or their favorite news headlines
  • how to correctly punctuate lists 😉
• Racial Injustice
  • unfortunately, the list is endless!
• My many other interests: books, fountain pens, inks, poetry, nutrition, diabetes, and more.

There is so much to write about and such little time to do it. I’ve been sitting on my hands for so long, I don’t really know if I can do this. Is Humpty Trumpty falling off the wall enough to get me back into this? But of course I have to write. The only way we’re going to move forward as a civilization is through discourse and debate. I remember when the Berlin Wall started to come down. It was the day my firstborn entered the world. I was so hopeful. The world really did seem to offer a brighter future. But of course we’ve erected replacement walls, and unfortunately we always will. I think the purpose of my writing and many other blogs has to be the dismantling of walls. These ideological walls need to crumble.

National Poetry Month, PAD #7.

Tags

egg salad sandwiches, faith, god, jesus, religious nuts, Salin in the spirit

This is my seventh year of writing a poem a day (PAD) during National Poetry Month, April. I wrote a poem every day; though I think a couple times I didn’t post until the next day. I participate at Writers Digest Poetic Asides blog run by Robert Lee Brewer, the poetry editor for the magazine.

Robert usually gives a one-word prompt every morning. Often they will be posted at 6AM or earlier; though some days he obviously sleeps in until noon. As poetry editor, he certainly has the right. He at least has my permission. Robert likes us to name our titles after the prompt: pick a bug, title your poem with its name, and write the poem. I of course ignore such direction. For me a prompt is a trigger. I let it trigger a memory, an image, or a vague sensation, and once a word, a phrase, or an entire line takes hold, I write. It usually takes me about ten minutes to write my poems.

This was not a productive year. This is my year of the short story; which is largely why I haven’t posted in a while.. Also it’s because of #45, for I am afraid of what I might write. But back to important things: poetry. I wrote maybe 33 poems, and I did write every day. The thing is, my wife and I bought a new home in late March. We hadn’t planned to, but a house we had our eyes on dropped significantly in price. We said what the hell and bought it. We closed within two weeks, before our rent was up, and we took most of April to move. Our furniture arrived April 20. The house is a mess, and it may be years before we’re settled. It’s 29 years old and needs work. The electricians have been in and will be again. Plumbers replace all the copper tomorrow. New dishwasher, washer, and dryer have been ordered. A new Fridge might be ordered. We painted the entire place. We floored the basement (was cement). We ripped the basement steps carpet up and the steps still reek. The NB Power inspector comes this week to see if we qualify for rebates on improvements — the air exchanger is shot, the ducts need cleaning, and we want a heat pump. Not much time available for reading and writing. Not like I want.

here is a poem I wrote from two prompts. The first was the senses (one or all six) and the second prompt was write a response poem (to an earlier poem if possible). This poem is about a non-believer (in God/Jesus) who tries this nonsense and ends up staring at the ceiling lights while convulsing; the response is the pastor’s version (who we are led to believe in part one has no faith himself) who paints the person as a hopeless case as only the faithful can be slain (and evidence suggests that being slain is nothing but a self-fulfilling prophecy). But God has other plans, and both are humbled. Enjoy!

Slain
*if you don’t know what Slain in the Spirit is, watch this. 

You can feel it inside you
The command of God to fall and flail

You can smell his cologne wafting
Strong enough to knock you over

You can taste the after-service sandwiches
Eggs whipped to a frenzy, held together with mayo

You can see the fear in his eyes
For he knows neither of you believe

You feel his push and you laugh
Was he expecting miracles?

You stare at convulsing lights
In that fashion that says you missed something

A Gentle Touch

You stroll up here full of doubt
Want to see what it’s all about

No expectations to fall or speak
Slinking through life with no left cheek

All you really want is to turn and leave
To mingle with the women on this summer eve

Your eyes are empty distant shells
Your fingers caress your Samsung cell

I touch you gently for your fear is real
You fall and flail, and I bow and kneel

 

 

The SAD month of MAY

April was poetry month, and now May is short story month. That’s a short story a day, every day, for 31 days. I’ve done seven NaNoWriMos and eight NaPoWriMos or equivalents. I don’t want to try to name this month. NaSsWriMo?

I sat at my desk on Monday, May 1, 2017, having written 54 poems and a blog post about it, wondering what to write next. Do I pull out 2012 and commit three or four months to fixing it? Do I continue salvaging parts of 2016 to make a short story collection? Maybe I should pull out 2010 or 2014 and have a second go at those unfinished novels. 2016 called the hardest and I’d all but settled on it. That would mean skimming the 50,000 words looking for nuggets. I have pulled the first three scenes as stories already, but where to next? Always the question.

So I did what any good writer would do: I opened Facebook. Almost immediately I found a post by my friend Andrea about a contest in May to write a short story a day. We talked about this in the past on our Sunday morning write-ins, I’ve participated in 15 other x-a-day events, so I didn’t need to think about the implications very much. I went to the Story-A-Day site, signed up, took the first prompt, and wrote a 1489 word story.

Bang. #1 done. It felt great.

\The story had nothing to do with anything I’ve written before, but it was based on reality. For that reason alone, I will not share it. Especially where fiction is weaved in, and some of that fiction is not nice. Sorry I had to kill you off, X.

May 2’s prompt fit almost perfectly a scene/story for 2016 I had been pondering. I sat and wrote. I took a break at 500 words to think, ponder, and write nasty political tweets — Even though I gave up my U.S. Citizenship, I still fight for Americans living abroad. And I’ve been quite acerbic lately towards the liberal shills out there supporting #FATCA and calling people like me tax cheaters.

I could not fit today’s prompt into any existing project, which is no concern, but I could fit it into a potential 2017 NaNoWriMo story. I’ve been pondering writing Science Fiction instead of my social conscious urban literary stuff.  I only invested 313 words in it, but I think it is full of theme, conflict, and potential. The conflict is implied: we’re all becoming the same, and what does that mean for humanity. Could be my backbone theme for my seen-book series *grin* It is a very thin piece, trite, but I actually love it. I will try to write more around this piece and other ideas this month and through the busy summer ahead of me. NaSsWriMo might just make NaNoWriMo very productive.

Enjoy

Prompt: People called him The Doll Maker. Nobody ever wondered aloud why every doll had the same face.

“Did you guys see Doctor Davis’ new robots?”

The lunch table paid no attention to him. Jared set down his tray and pulled in his chair.

“He can choose any face he wants with a few clicks but he picks the same face, the same physical features for every one of them. You guys don’t find that odd?”

“Jarrod,” Emily says. “You had a busy morning? You’re late.” She stuffs a roll of California Gold into her mouth.

“You haven’t heard a word I said.”

“Sorry,” she says as she crunches on the crusty, green roll of processed unknowns the government has certified as optimally nutritious for young scientists. She chases it with a glass of fortified water the color of the noon sky as displayed in the wall monitors. “We were just discussing Doc Davis’ new robots. Did you know he ordered them to all look identical? Why would he do that?”

Jarrod picked the gray New Jersey Jets roll up from his gray plate. “It makes no sense. You’d think he was building an army or something.”

Emily inspects her mint-green plate for crumbs but finds none. “I know. It’s so creepy. We’re not going to be able to tell which is which.”

“They’re all fucking robots,” William chimes in with his usual cheer. “Who cares what they look like? You ask for a Solar Coffee, they get you a Solar Coffee. It’s not like you’d have sex with one of them.”

“Speak for yourself,” Emily says.

“They’re all male,” Jarrod says.

“So?” says William.

“They’re all so…unremarkable,” Emily says and smiles.

“He could have selected at least some variety,” Jarrod says.

“They’re robots,” William says.

“What does he have planned?” they all say simultaneously. They stop but don’t laugh.

William picks up his blue Florida Fish Roll from his light-blue plate and looks at it. “Why are they all the same?”

 

2017 Poem A Day (PAD)

Tags

Alden Nowlan, Alliteration, Down River, Haiku, Hamza al-Khateeb, metaphor, PAD, rhyming, Sonnet, Voice

This post is about my experiences at the Writer’s Digest blog Poetic Asides; where each April Robert Lee Brewer runs a poem a day (PAD) event. In 2016 I posted every day with my poem and thoughts. It was too much, and I didn’t want to invest that effort this time. It becomes pretty dull after only a few days of mediocre poetry. Sorry bloggers, but reading our unedited, off-the-cuff poetry is too often a painful exercise.

This season I want to write about what I have learned, with examples. I don’t know how many of the 54 poems I wrote this month I will post, but it will not be double digits.

April is National Poetry Month, and for me, it has become a month to focus on poetry. Not entirely. I met with an editor this month about my novel. In my mind it is finished and ready to go, but what does ready to go mean? I am not sending it off in queries, yet, as the forces are telling me to self-publish, and do it NOW! Including my wife who has finally read my work. More on that later.

I read one complete book of poetry this month and about 30 pages of another. I picked up a copy of Alden Nowlan’s Early Poems for $8. A steal as other shops are charging $30-$40 for this 1983, posthumous publication by UNB’s Fiddlehead Press.

Nowlan writes earthy poems of simple life-events and often adds a dramatic twist. His rhyming can be forced, and he willingly strays into the dirty areas of life. You will not find a light, airy, emotional Alden Nowlan poem. I sympathize with the style and it has influenced my poetry this month. Here is one example of his work.

Down River by Alden Nowlan

In cities the embittered ones are cunning;
anguish sharpens their wits, I’ve seen the eye
glint in whoresons and beggars, its approach
quick and malicious as a common fly.

But here persistent misery endures;
growing thick-headed like a cow, it chews
thistles in mute protest against the rain
of innocence it cannot lose or use.

This poem I wrote is about a man in a funeral procession carrying a casket, upset at others, his tailor who screwed up his pants is sitting in the back of the church and the guy in front of him wearing jeans, yet he cannot see the irony of himself wearing boots. Most definitely Nowlan-influenced.

Untitled

It is so disappointing when people don’t show respect,
forty dollar dress pants too long, and the haberdasher knew Tom;
he sits at the back of the church, head bowed, embarrassed
as I step on the cuffs with the heels of my boots
afraid I’ll fall while hauling this casket
the weight of Tom’s miserable life on my shoulder,
and the guy in front of me who pretended to cry
while buddy spoke of friendship and sadness and told lies
is only wearing jeans.

Nowlan uses simple rhyming but more complex and subtle alliteration: In, cities, embittered, wits, glint in, its, quick, malicious, persistent, misery, thick, it, thistles in mute, innocence, it, cannot. Fantastic when you look for it and read it a few times. And as I sit in this down-river city with the painting of Nowlan on a brick wall along Canterbury St., look at the persistent fog and drizzle outside my office window, and walk among the thick-headed denizens, oh, do I feel this Nowlan poem beating!

I attribute the following to Nowlan Influence, especially the simple rhyming scheme.

Platinum 3776 Century SF

The sound of this fine gold nib
an this smooth, heavy paper
is the sound of a clean sheet of ice
being etched by a smooth figure skater

It traces ornate twirls as it glides
through the jungle of imagined words
jumps and spins as it writes attacking
the loudest clashing of swords

The following is in many ways concrete and earthy but the conceit is abstract: sitting in a coffee shop wondering if you fit in.

The Sound of Youth

I try to sit in silence
sip my coffee
read my book
the pages won’t lay flat
but keep closing
my eyes wander the rows
tables full of chatter
incessant social banter
not looking at faces
straining to decipher
the deafening sound of youth

I also worked through In The Palm of your Hand by the late Steve Kowit out of San Diego. I read this with some trepidation as Steve called a friend of mine illiterate after she submitted poetry using Canadian spelling. American exceptionalism? Myopia? I can’t comment, but she was not pleased. Anyway, while this book has issues with generalization, examples you have to track down in back pages, and editing snafus, this is actually a stunning read. I highly recommend it.

I am also working through the book Studying Poetry by Matterson and Jones. This is another stunning book. It is advanced and assumes you understand the basics of poetry. These authors dig deeper and discuss how poetry actually works. This month, some of this text has led me into exploring alliteration and forms of metaphor deeper, such as in the following poems.

Haiku 17417

Clothes hang from the line
strung-out lives, histories dancing
in the cold, spring wind

And this poem combines Nowlan subject matter and twist with alliteration.

Untitled

Their 54 Plymouth, festooned
with Green Giant corn cans
and full Cracker Jack boxes
rambled down county road one
scaring the deer and raccoons.

I tried not to, but I also strayed into politics again. I have often made statements such as, “America will never be able to change its ways; it can’t even adopt the metric system.” And when Robert gave a prompt of ‘metric’, I knew what I had to write.

Untitled

When hicks talk in klicks
you can bet they’ll accuse
the country of Bolshevik
influence and interference
calling the president a lunatic
and march on Capital Hill
with night sticks and booze.

The following poem hurt to write. When you write a poem, the emotional impact is many times that when you read it. I spent half a day reading about Syria; because I didn’t understand it. I stumble across this article in Al Jazeera and decide I needed to write a poem about it. It put me in the darkest mood I have ever been in. Ever! After dinner my wife and son went out and I was home alone. I couldn’t take it, so I went to my favorite pub and played trivia a night early with friends. Oh the beer went down fast!

Hamza al-Khateeb

You loved it when the rains came
filled a simple irrigation ditch
a makeshift swimming hole; you weren’t to blame
for giving your family’s money to a boy without a stitch

The Arab spring promised freedom
a loner, you joined the protest
an easy target, young and without wisdom
al’aman, security; we all assume it protects

They whipped you with steel cable
shocked your knees, elbows, hands, and face
left your tortured body on a table
a bullet in your belly, they cut off your penis

Hamza al-Khateeb, what have you seen?
you were an innocent boy; you were only thirteen

Yeah, a tough one.

Of course I also had some fun this month. Some of my poetry was light and airy and even made me smile 😉

This aphoristic poem in response to ‘in <blank> of love’

Laws of Love

There are no laws of love
no rules or conditions.
There is no bad love
to avoid
and there is no good love
to prefer,
no rolling of the dice
no depending on tossed rice.
The only love that matters
is the love you live to make.

And another metric poem.

Untitled

I waited for you
until the parking meter
ate all of my coins

It was a very good month for me. I wrote 54 poems in 30 days, learned a lot, and I explored much. I took another baby step towards learning my poetic voice and becoming a confident poet, if there even is such an animal.

NaNoWriMo 2016 Aftermath – the poetry

Aftermath has been one of my favorite words ever since I purchased the Rolling Stones album Aftermath in the mid-1970’s. But as I write these words, I realize I may never have used it before; though I must have, somewhere.

November was a busy month. Not only did I start my seventh novel, but I also wrote 33 poems in Robert Lee Brewer’s Chapbook Challenge 2016. I remind myself that such events at not about quality; that quality writing is achieved by much rework. I know from experience that creating a good novel takes at least two years of steady work. I am also learning that published poets can take as long or longer to become satisfied with their poems. I am trying to feel neither good nor bad about either. Simply watching a local MFA poet work and rework her poems every Sunday morning and never seeming to see lights in her tunnels tells me I have to rethink my poetry writing processes.

I usually write my poems very quickly: take the prompt, try writing some lines until one sticks, build on it, and then make a few passes at it. This month as I wrote every morning I felt the urge to develop a poem-writing process. I have prose-writing processes, somewhat, and I will blog about them someday, but my poetry writing routine was too thin.

My searching first brought me to this interesting video. Some guy named Spectre walks us through his writing steps. He writes simple, straightforward lines. His first example is

My Video Games

 

It’s fun

I can beat it

Lt’s like a friend to me

It never refuses my progress

It’s not a poem but random thoughts, a random outline for a poem. He then beefs up each line:

Excitement for me

I triumph at it

It’s like a friend to me

That’s always prepare to go

And a bell went off in my head. This was around the middle of November, and since then, I’ve written such outlines for most of my poems and I am sold on this technique.

I was not pleased with Spectre’s randomness, though. If I take any subject and write lines as they come to me, I know very well I am going to miss things. I am only going to write what my active brain has access to. I have learned that prompting the brain can trigger ideas that such a focused exercise would never dream up. I searched for guidance and found it at this site. It is not so much poetry guidance a it is description guidance: a checklist for describing objects. I won’t go into detail here, but I began taking my chosen subjects: objects, ideas, situations, etc., and applied this checklist too them and wrote as simple sentences as I could.

One of the interesting side effects was that poetic lines would pop into my head. There is one truth I know about prose I did not freely acknowledge in poetry, and it is something I have already stated: the more you write about something, the more ideas flow on to the page, about the subject and about other subjects. I don’t know which poems they were, but on some days I’d end up writing about something completely different than my initial title. And it may not be a direct offshoot. Sometimes writing one thing triggers a second thing which triggers a third thing and so on, very similar to lateral brainstorming. And there is a host of brainstorming techniques that can probably all be applied to poetry writing.

I also read a now favorite poet I did not expect to become a favorite poet: Anne Compton. I read her Governor General Award winning Processional, and I loved it. I found her words and her style spoke to me, and I think some of my poems this month emulated her style. I can’t say much about her writing except that my enjoyment and sympathy came at the exact best time, as I was making forward progress in my own writing. Her book was gas on the fire. And I found myself exploring writing advice and processes online. A discovered a particularly important tidbit at Philosophy and Nonsense where the author suggests, begin and end each line with a strong word. I highlight his line because I think it is so true.

So I left November feeling much better about writing poetry: that I was finally starting to understand what I was doing and had created paths for getting there. I was largely happy with my poems for the month, and have been working at assembling a Chapbook to submit to Robert for his adjudication.

Here are a couple of poems I wrote which I used these new techniques to write.

Sin

It’s mine and will be, until I decide it isn’t. Regardless of what I say
I know you still love me. It’s what you do.

I didn’t join the club. I was a charter member.
We all join, sooner or later. He gave us all free passes.

It’s bound to happen. You don’t fold your hands.
You withhold your grace. Did you ever think of what I might have said?

Your wife is innocent. Be grateful for your love.
The girl is untarnished, so far. So much faith in righteousness.

The Sound of Money

He burlesques my musical ear
with his dollar store recorder
a pet rat under his hat
gives accusatory stares

You’re just a cheap bastard, but
I will play a song for you
I’ll pray a prayer, for us
for the offspring this world doesn’t need

He learned a new note
and it’s confused his song
can only play in tune on Saturdays
when the children are about

Here’s a free God Bless You
on your morning walk
salvation thrown away
halleluiahs donated

He’s almost the Jay-suhs prototype:
blessed are the destitute
ye who inherit
the inability to clean

I feel sorry for you in your suit
I’ve never worn shoes that would polish
Could you survive my grave and
play the sounds of money?

 

Next post: the novel.

November 2016 Poetry – PAD

While November is my primary novel starting month (25,435 words written through the first 17 days), I am also participating in the Chapbook Challenge, a poem a day event run by Robert Lee Brewer over at Poetic Asides.

I will be honest: I am putting nearly all of my energy into getting this novel on a good road. 50,000 words of prose is not a finished novel, not the first draft, not even close. But in my experience, the tighter you can make the story now, the easier it will be to finish later. It’s one of these things called paradoxes: two extremes with no logical compromise. I do want to keep it tight and in track, but I also need to ignore my boundaries and explore when the urge arises.

They call this urge ‘characters telling you what they want to do’ in your story. Right up there with other myths like women are unequal to men in every discernable way except for having babies and doing housework (I am writing about women’s rights, and I am being facetious, unenduring as my words are). The truer version is our minds are not linear, organized machines. They respond to input. Our minds are much more reactive than active, sometimes. The reactive minds are creative: throw a word, an image, a sound, a smell, a situation… and the reactive mind finds a new door and opens it. And if they are willing to step through, there is always a whole new world behind that door. The reactive mind become an artist: painter, photographer, designer, musician, sculptor, dancer… a writer, a poet.

Poems are created by walking through new doors but are also unexplored doors themselves. There is an element of craft to poetry, an element of care. Those first responses are first steps through doors, down new pathways, and they need further exploring. But my mind this month is wandering down prosaic doors this month, secondary pathways, ideas of white privilege and feminist movements and high school immaturity and searches for personal freedom without entrapping yourself in media prisons. I am writing first drafts of poetry this month, then abandoning them for my novel.

And then there was the election. In my mind, there’s a name for a person who cannot open doors in their mind. It’s a Republican!

Here is a collection of my poems from this month so far that might actually resemble poems. I’ll give the prompt for each.

Nov. 18, 2016
Prompt: write a poem that uses the following six words:

• band
• logic
• pack
• web
• froth
• clean

before coffee

a pack of lies bandied freely
as if authored in biblical times
unseen film directors and misguided preachers
it is now a fact-free, logic-free world
we live in a dream projected through the web of
rhetoric and fallacy
the land without physical filters
and Bubba tightens his tie and grips his shifter
clean living his myth
unclean politics his gift

Nov. 17, 2016
Prompt: Paper

Background: some days you just want to have fun 😉

God made paper on day eight
An afterthought, a flick of fate
He made a mark with his feather pen
Invented glyphics over and again
The very first Ibis
Sat on the first papyrus
And Shat the first whiteout
On the very first script

Nov 16, 2016
Prompt: Play (blank)

Go! We’re through
No choice, no option
No money for a cab home
My dice fail to monopolize
Fives and tens, a lone fifty
No hope of consolidation or peace

B&O and Water Works
The corner store supplies my food
Chips and soda
I can run water
But not was my clothes
Life is no fun
With cards stacked against

A community bailout
My only chance
A gift from the man
A lucky seven
Skirts disaster, again
But all I get is a ban
And do not get to pass Go!

Nov 11, 2016

Prompt: write a description poem. Pick someone or something to describe

My Mug

My morning maw of motivation maintenance
A fire-hardened rock
A liquid lover that sips on life
A great handle, on the trends
It is essential, to my well-being
It is vital, to my happiness
I toast of tastefulness, I boast
Of wastefulness
A Saturday morning reading club, I host
My own internal parties
I get more out of it than I pour in
And it gets more out of me than I bleed out
Shakes me awake, yet grounds me
With its fragile weight

Nov 10, 2016
Prompt: Tragedy

Background: I wrote the last line and asked myself ‘now what?’ I immediately succumbed to Thesaurusitis and looked up plan. I then saw the need to link each line, so I linked them into a story. This is not so much a freely written poem as it is a construct of form. Still, it’s a fun read.

The Plan

Your policy of sympathy, combined
with intentional apathy, implemented
by methods of rationality, coordinated
through arrangements of fantasy, stopped
since procedures for bankruptcy, tempered
his program of apathy, complicated
a project of gadgetry, intimated
her suggestion of jalousie, encompassed
in their system of stagnancy, concluded
the treatment a travesty, became
a strategy of tragedy

 

Nov. 9, 2016
Prompt: Call Me (blank)

Background: this was more about my platonic relationships with women than the image of two old politicians bantering, but that’s what we might as well be. And I wanted to use the image I recently took in Charlottetown PEI of the two Fathers of Confederation named John Hamilton Gray.;)

Call me, when you’re free
We can chat, and pretend
We’re old friends
Catching up on, lost times
Times on the mend
No walks on the beach, for us
No bitters in the pub
Just a cup of coffee
And a warm muffin
We can be intimate
But we cannot be close
We can share our dreams
But not our secrets
We can agree, to disagree
On the pedigree of our lives
We will not jeopardize
This thing we call friendship
So call me when you’re, feeling down
For you know too
I will feel alone
As kindreds always do
Call me, I’ll be around

 

The John Hamilton Grays

 

 

NaPoWriMo/PAD 2016 Day 30

Tags

8854, citizen-based taxation, fatca, IRS

For today’s prompt, write a dead end poem. Of course, I was thinking in terms of the challenge, but a dead end can literally mean the end of a person’s life, a dead end road, a dead end job, dead end mortgage, and so on. Take the phrase “dead end” and apply it to a noun, and the possibilities are nearly endless (except, well, there’s the whole “dead end” finality to it, I suppose). I hope it’s fun and that the blog is alive and well today.

Dead end. An easy prompt. A dreadfully easy prompt for someone who has spent their life running into walls. While I admit most walls were of my own construction — John builds the greatest walls! — some walls were built by others. One wall in particular, the United States citizen taxation walls of laws, has been a huge road block in my life. And there was only one way to get around it, so I took it. I left the American side of me behind that wall and moved forward. Thank you presidents Lincoln and Obama for being so un-American.

Perhaps these two gentlemen will eventually be seen as two of the greatest presidents. While I am not an Obama lover for many reasons, I am not a hater. He’s a smart, reasonable man, but maybe he’s too reasonable. I’d rather he did more his first term while he had control. I wish he have made even more changes: cut government, implement true universal healthcare, and get America on a path of world participation. Instead, he’s blocked financial growth. He’s implemented FATCA which has pissed off ever foreign financial institution, over 160,000 of them. Foreign banks if my words are too big.

Why do foreign banks matter?

Because now foreign banks do not wish to do business with America. FATCA poisons the waters. If you are a medium-sized company say in Hong Kong and you need financing (all companies use financing), then you need to give your banks certain documents: business plans, financial statements, cash flow, risk analysis, etc. It is now risky for banks to deal with the US. I can envision foreign bankers telling foreign businesses to ditch the American sourcing. Sell all you want; because we want their money, but if you buy from them, no money for you. Source your expertise from China or even the hated Japanese. Just don’t source from America.

I don’t know this is happening, but I do know banks around the world are shutting American citizens like myself from basic banking services, and millions of individuals and an estimated one million small businesses are scrambling to rid themselves of their American ties. I relinquished my citizenship and this last week signed a form with my bank confirming I was no longer a risk to them. No, I didn’t get a toaster.

Corporate inversions are another form of disloyalty — in the eyes of homelanders, but to me it’s common sense. If a large corporation has operations around the world — a common example is Ireland with its 12.5% corporate tax rate — they want to be able to compete; they need to be able to compete. America’s corporate tax rate is 39%, so if company X, American,  makes a million dollars in profits and company Y, Irish, also makes a million dollars in profits, Company X nets $610,000 while company Y nets $875,000. That’s called unfair competition, and that’s why American multinationals are inverting to foreign ownership. They want to be taxed 39% on American operations and 12.5% on Irish operations. It’s only fair, right? Obviously there is room for cheating, and that needs to be controlled, but as it stands now, the US is the biggest tax cheater of the all. These troubles are its own fault, instituted by Lincoln in 1863 and reiterated by Obama in 2010.

Taxation without representation!

Representation is not a vote. Sorry, but a American vote means nothing to me because no elected official can impact my life: I drive Canadian roads, work for Canadian employers, use Canadian schools, use Canadian health care, use Canadian retirement vehicles, and pay Canadian taxes (as I should). What possible claim does the US have on my life as a US citizen when I use zero of its services? That’s the way the rest of the world thinks, it’s the way I think, and it’s the way any common sense person thinks. Just as the US taxes foreigners living and working in its borders.

The original law was drafted to stop Confederate sympathizers expatriating to Canada to avoid the new income tax act. It was the only logical tool at the time. But this is no longer  1863. Our world is computerized. We don’t need to tax citizens abroad, we can tax them as they leave, like Canada and some other countries do. We could give citizens a choice: be taxed on everything you own (with a much lower than $2 million limit) as you leave, or keep filing with reduced foreign income exclusions until you return from your temporary stay.

This is no a hard concept. It’s called fairness. But Americans are too wrapped up in their own aggrandizement to care. America is number one, and everything outside her borders sucks and should be leached because they are subhuman civilizations.  Maybe that’s not what you as an American think, but it’s how the world sees you. The US sucks in every comparative category: healthcare, education, standard of living, satisfaction, freedom, or whatever. The only thing Americans are first in is saying they are number one.

My rant’s not over, not by a long shot, but it’s time to post a poem. Another rant about, not my dead end, but the potential dead end for America of it doesn’t get its shit together. FATCA, Corporate inversions, and more recently a ubiquitous fear of trade deals. Listen to me: if you kill all free trade deals, it will send a clear message to the world that you do not want their business. This might be an eye opener to you, but the rest of the world no longer needs American know-how. And most nations are more than willing to try and fail on their own. Obama brags of his $2 trillion trade surplus. Don’t wait until that turns into a $2 trillion trade deficit before you believe me. I might no longer be a citizen, but I care about my country.

#FATCA

Today I’m filing my 8854, what the FATCA for?
Because my fellow Americans have forgotten
life, liberty, and the illusive pursuit of happiness
were intended to be inalienable.
Taxation without representation has caused previous revolts
financial slaves of the free world
you have no right to bury your heads and hide from, the oxymoron
President Obama, the thinker
The biggest tax cheat of them all
The American People

I am angry and sad, my home nation
dying in a world of progress, more intent on building walls
than living its propaganda. Freedom.
Hate cannot defend right
A bully cannot pretend might
The myopic will never be able to write, happy endings
A blinded horse is incapable of leading the way
straight roads only with shallow ditches
a future without curves.
A nation with the least common sense and the most guns
can only lead to dead ends.

NaPoWriMo/PAD 2016 Day 29

For today’s prompt, write a haphazard poem. The poem itself could be haphazardly put together, I suppose. But it could also be about a haphazard situation. Or whatever haphazard thing you can bend the poem into.

Haphazard raises so many ideas with me, I can hardly think today of anything but poetry. Though I made a nice buttered chicken curry without burning down the house. My first though was to write haphazardly, but experience has told me to feed the Muse first, get the poetic muscles moving first. So I thought of my writing routine and how haphazard it is, how haphazard it should be, to some degree. Controlled, intentional haphazardness. I wrote of a writing day.

A Day In The Life – how to write a poem

Feed her with some poetry
Feed her with some prose
Read a Munro short story
Or a poem about crows

Take a walk through a park
Ponder puddles and leaves
Imagine how the gravestones stark
Become servants on their knees

Find yourself a coffee shop
Have a drink or two
Write a poem about your pop
Write a song of a cow saying moo

Don’t forget to chat with friends
Find the troubles of the day
Keep an ear for open trends
Listen to what strangers say

Walk again through the streets
Let ideas bounce off windows
Find yourself something to eat
Share it with imaginary bimbos

After napping, eating, bathing
Sit down at your station
Get to work on engraving
Computer files with your creation

I wanted the next poem to feel haphazard and nonsensical, but of course it needs to make sense in my head. I took a nap after my curry lunch. I was full and sleepy, but I scribbled some lines as I lie there. The opening term, The Sobriquet men, haunted my dreams. I repeated it too many times for comfort. Who knows, maybe it will become a novel some day.  The poem, I think — I don’t know if I will ever be sure about this mess — is not about specific individuals, though the Trumps, Cruzes, and Boehners did come to mind as did the so called 1%, but more about an idea. I think it is about the so-called American Dream (which I have written about), the we’re number one attitude that prevails in the country oblivious of the threats such isolationism creates. I am now hearing Washington called Rome too often. I use the literary device paradox, in a sort of abstract way. Paradox is the meeting of two extremes that cannot meet and is, I suppose, by definition haphazard form. Enjoy, if you can.

Humanity Waits

The sobriquet men despise the nameless
unable to live in the wide open spaces, surrounded by walls
Only the truly crazy would leave the fake sanity

If all dots were connected, per Remington
your monikers wouldn’t matter, he said
the meek will inherit the earth but he never promised gold wrapping paper
or he’d make wine for the previous owners’ funerals

Your rights will never be liberated and your liberty never freed
Call shenanigans all you want, but words have never unlocked shackles

You’ll pounce on cats who pounce on rats who pounce on Big Macs
and in the end we’ll lose track of you too, for with too many names
Just as you want, to hide
An island will be discovered and the stranded brought home

Humanity waits

 

NaPoWriMo/PAD 2016 Day 28

For today’s prompt, take the phrase “Important (blank),” replace the blank with a word or phrase, make the new phrase the title of your poem, and then, write the poem. Possible titles could include: “Important Documents,” “Important: Read Before Assembling,” “Important People,” and so on. I hope everyone finds something important to write about today.

Importance raised a lot of possibilities and issues, mostly important ones. I asked myself what is important, and an old argument, and old battle took over: administration versus creation. I have seen too much emphasis in my life placed on administrative brilliance: we need to do this more efficiently. Government laws and regulations are largely based on administration: adherence, compliance, and subservience. Rewards are given to businesses who can do paperwork and complete contracts to the T. There are no regulatory or administrative awards given for creativity. Much of what I am saying is subliminal. It is why I have given up on accounting. Much importance is placed on people who can count beans correctly, not on those who can devise a new and better bean burrito. I’ve sat too many days at a desk wondering why I was there.

This poem is not about me but a hypothetical entrepreneur with a great idea, with un-capped and untapped creativity who falls to the system. I do employ some abstract metaphor. One of the banes of an accountant is being faced in tax season with a new client and their shoebox full of receipts — the shoebox accounting system. But what if you don’t even have that?

The Big One

The decisions accumulate like bad debts
a once promising pillar of the community.
Important people took notice, before they served
the latest in a string of beads and baubles

Take them to a bank and let an expert take care of it. An expert
at taking money, at snuffing and suppressing. Creativity
only for those administratively supple thinkers.

Who can you trust anymore?
What do people do when shoes are sold in a plastic bag?
Is there an app for climbing out of the muck?

Prioritize, my accountant says.
Might as well be my IT support dude. Reboot before it crashes!
Take care of the big ones first, running a business
a Labrador fishing vacation for Grandpa.

I’d rather stop at the local brew pub, and support
a low paid business student with my last plastic bill, better advice
than from some asshole at a shiny desk
who treats my life as a folded page.